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THE GLOBE AND MAIL

‘When is a Spike Lee film out of joint? Revisiting the implications of BlacKkKlansman’

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VERTICAL FEATURES

‘Which Side Are You On?: On Whiteness, Knowing, and History in Travis Wilkerson’s Did You Wonder Who Fired the Gun?’

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THE GLOBE AND MAIL

Interview with Widows director Steve McQueen

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NOW MAGAZINE

‘The venom directed at women of colour in film spreads to Toronto,’ by Radheyan Simonpillai

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MUBI NOTEBOOK

‘The Spaces We've Made, The Spaces We've Lost: Leilah Weinraub's “Shakedown”’

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THE GLOBE AND MAIL

Review: Ruben Fleischer's Venom

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THE GLOBE AND MAIL

Review: Malcolm D. Lee's Night School

HUFFINGTON POST

TIFF ‘18: 10 Must-See Movies, According To Film Experts

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CINEMA SCOPE

TIFF ‘18: Wanuri Kahiu’s Rafiki

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CINEMA SCOPE

TIFF ‘18: Barry Jenkin’s If Beale Street Could Talk

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CINEMA SCOPE

TIFF ‘18: Joël Karekezi’s The Mercy of the Jungle

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CINEMA SCOPE

TIFF ‘18: Imogen Thomas’ Emu Runner

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THE GLOBE AND MAIL

Interview with Splinters director Thom Fitzgerald

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NOW MAGAZINE

Screening Series of the Week: Black Gold

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mubi notebook

'Environments of Chaos: The Work of Christoph Schlingensief’

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THE GLOBE AND MAIL

Interview with M/M filmmaker Drew Lint

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THE GLOBE AND MAIL

Review: James McTeigue's Breaking In

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THE GLOBE AND MAIL

Review: Andrew Haigh's Lean on Pete

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ClÈo journal

'Beyond the Photo Album: Relocating Varda’s Salut les Cubains'

TIFF'S THE REVIEW

'How Set It Off raked it up'

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TORONTO FILM CRITICS ASSOCIATION

Interview with Angelo Muredda

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BROKEN PENCIL

Zine Review: Whiny Femmes

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BROKEN PENCIL

Perzine/Comic Review: Chronic Illness Girl

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BROKEN PENCIL

Zine review: Dear Journal #2

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BUDDIES IN BAD TIMES

Interview with Johnnie Walker

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SUKEBAN

Interview and photos with Katrina Cervoni and Natalissa da Silva